I didn’t come up with the title to this blog; I borrowed it from the last line of the New York Time’s March 13th review of Catastrophe’s final season (binge it on Amazon now). It felt particularly poignant this week. Life is filled with many small catastrophes, and all we can do is to keep moving forward, hopefully taking lessons with us through the slog. The picture above was from the New York Time’s Talk I was lucky to attend Monday night. I’m a huge fan of the show, and I’m sad that it ended. If you haven’t indulged, there are only 4 short seasons, and I highly, highly recommend them.
One of my new doctors is on Canal Street, which gave me an excellent reason to check out Canal Street Market. Among noisy street hawkers and NYC souvenirs, you’ll find this oasis of calm. Half the space is small vendors selling everything from sake to luxuries, and the other half is food – all with an Asian slant. I was so thrilled to find Joe’s Steam Rice Roll as it has been on my “to eat” list for a while. I ordered Joe’s signature with the works and drizzled hot sauce on top.
Wednesday I took a tour of the Richard Avedon Foundation, a place I could easily have walked by and never knew was there. But thanks to the Ex-Expat group in NYC I spent two hours learning more about the prolific photographer who shot everyone who was anyone, and lots of everyday people in between. When asked of the director of the foundation if Dick was nice, he answered, “Dick was engaged. I wouldn’t say he was nice.”
There are many reasons to visit Bushwick, Brooklyn; one is the the Bushwick Collective, and another is Roberta’s Pizza. The Bushwick Collective event is in June, but you need not wait to see incredible street art. The entire neighborhood is an outdoor art gallery and changes often. I went on a walking tour with Ronnit, who I thought was an excellent guide. Half of the tour was spent in small galleries with up and coming artists, and the other half was outside. I’d been to Bushwick on another tour and didn’t enjoy the guide as much as I enjoyed Ronnit. She gives you just the right amount of insight but leaves you to explore and inquire on your own. And with Roberta’s, unlike at night, you can walk right in and sit down for lunch.
Friday night Tom and I attended the first night of previews for Burn This with Adam Driver and Keri Russell. I was so excited for this show and wanted it to be good, as I am a huge fan of both actors and thought the chemistry between them could be really intense. Driver has already been on Broadway, but this was Russell’s debut. Before giving my honest opinion (and what do I know anyway), I will remind you that it was the FIRST night of previews, and I’m sure some of the nerves and the kinks will get worked out before it opens officially on April 16th.
The show seems dated, and all the “chemistry” takes place off-stage, so it’s difficult to imagine them together. The play starts slow, and Driver doesn’t appear for quite some time, but when he does there is electricity. He is a man on fire, and you can’t wait to see what he will say or do next. For that reason alone, I say buy a ticket. And I have high hopes that Keri picks up her Broadway ball and starts running.
We sat a few rows behind Keri’s partner, Matthew Rhys, who was a doll. He spoke to everyone around him before the show, and at intermission, and posed for lots of fan photos. He looks a lot more relaxed than his days on The Americans.
If you are interested, I wrote an article I posted on Linkedin about how I think the scales of college admissions can be un-tipped. Working in the field has given me a birds-eye view into its inherent inequities, and I have a few ideas about how to fix them.
Saturday was such a spring tease. I am more than ready for the real thing.
Have fun. Be bold.